Anything that needs to be shot outside the context of live action shoot in filmmaking and needs seamless integration of real with unreal or virtual has to be shot with precise technical expertise that does not become a limitation during the post-production process. Hence a second-unit Cinematographer like Sandeep Kamal ads tremendous value to your team focusing on the technical aspect of VFX lifting unwanted pressure off the chest of the DOP and the Director.
With an average of 150 days of on set experience eyery year from past 21 years, Sandeep is fully equipped to take on the responsibility of 2nd unit director cum VFX supervisor. Where he can improvise even under tight pressure to capture part of your drama, pickup scenes, b-reel shots, or VFX plates.
VFX needs lots of planning, preparing, and then shooting scenes, plates, and elements and gathering a lot of information from the set, which includes Set and location survey data, camera and lens information, 3D Lidar scanning, and HDR360 Imaging. It's important to know when what is needed, as every hour on the set is very important for the producer and a VFX supervisor should be the last person to put everyone on standby unnecessarily. Sandeep's style of working is very collaborative without being intrusive giving filmmakers the freedom to shoot more organically without constraining them from their creative choices.
-Sandeep
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